Posts in Category: Music

NoiseFloor 2019 Call for Works and Proposals

We are pleased to announce that NoiseFloor will once again be hosted by the Music and Sound department in our Cadman Studio Complex at Staffordshire University, Stoke-on-Trent, UK.

  • Dates: May 7th and 8th 2019
  • Deadline for abstract submission: 18th January 2019
  • Deadline for Registration: 15th March 2019

NoiseFloor is an interdisciplinary event with a focus on experimental composition. This year we are pleased to announce our KEYNOTE PRESENTATION from SIMON EMMERSON, professor in Music, Technology and Innovation at De Montfort University, Leicester.

Our theme this year is Engagement.

“Who cares if you listen” is the title of an article from 1958, famously misattributed to the American composer Milton Babbitt. (Babbitt wrote the article, but the title was imposed by an editor).

60 years after Babbitt’s article, experimental or contemporary music is still often perceived as being “difficult”, “irrelevant”, or “out of touch”. To what extent are these conceptions and stereotypes merited? Should we as practitioners make more effort to engage with wider communities? Can this be achieved without diluting our work? Or is there an argument that our work should be governed by purely academic or aesthetic concerns? More generally, how can “challenging” art works or academic outputs reach wider audiences while still retaining their integrity? To what extent should our work engage with our social and environmental surroundings?

Works (compositions and performances) and proposals (for papers, lectures/recitals, panel discussions, workshops and other ideas) addressing this theme are particularly welcome. Of course, proposals for other relevant topics will also be considered. Submissions are invited from composers, academics, practitioners, individual researchers, postgraduates and any other interested parties.

Submissions should fall into one of the following categories:

  • 20-minute paper presentation (with 5 minutes for questions)
  • Fixed acousmatic works (up to 8 channel)
  • Acoustic instruments and electronics
  • Popular music and interactive systems (2 channel audio with video)
  • Fixed audio visual music (2 channel audio with video)
  • Workshop
  • Panel discussion

Please submit details of your composition, performance or proposal in the form of an abstract of between 250-300 words, together with brief biography (150 words), programme notes, and, where relevant, any links to audio/video examples of your work to our online submission form at:

http://staffordshire.eu.qualtrics.com/jfe/form/SV_57Tlg8B2e90P6At

Registration: The fees are £60 for presenters and for attendees, £35 for students. Concessions will be available for students of Staffordshire University. There is no submission fee.

Please note that you will need to provide your own performers and instruments and that contributors will be required to attend the event. More information is available at http://noisefloor.org.uk/ or by contacting a member of the organizing committee.

PAYL on Bandcamp

I have uploaded most of my old electronic music productions made under the PAYL name to Bandcamp. It's a good way to share, listen to and find new music. It also allows artists to be paid directly for their work. I have set all my tracks to be available as free downloads with the option to make a donation if wanted.

Yo Visit my Bandcamp site, click here: https://davepayl.bandcamp.com/

Noisefloor 2018 Call for Works

Noisefloor 2018: Call for works

We are delighted to announce the return of the Noisefloor festival. Noisefloor is an experimental sound and image festival showcasing the work of local, national and international artists.

Concerts and screenings will take place during the period 7th – 11th May 2018. This year we will also be hosting 20-minute paper sessions for composers and artists to discuss their work. The diverse nature of the festival will provide opportunities for artists to explore the fluidity between the five themed concerts. The Noisefloor festival would like to invite submissions for the following events:

  • Fixed acousmatic (non-AV) concert – curated by Doug Rouxel
  • Popular music and interactive systems concert – curated by Si Waite
  • Fixed media visual music concert – curated by Dave Payling
  • Acoustic instruments with electronics concert – curated by Marc Estibeiro
  • Experimental film screening – curated by Daniel Hopkins
  • 20 minute Paper Presentations – Curated by Dave Payling and Marc Estibeiro

Venue: Staffordshire University, Stoke-on-Trent, ST4 2DE

Festival Dates: 7th – 11th May 2018
Deadline for submissions: 2nd February 2018
Notification of acceptance: 9th March 2018

Please submit your contact details, artist bio, programme notes and links to audio / video to our online form at: Submission Portal